
Rachel Coyne

Peonies 1

Peonies 2

Peonies 3

Peonies 4

Peonies 5
The Garden Moment: Practice, Presence, and Letting the Medium Follow
For these images I used peony flower petals from my garden. I had something I like to call my “garden moment” about 16 years ago. I realized -about both art and life – that I had a lot of long term goals, but that in the day to day I was really struggling. I needed to have more than helped, delighted, carried me in the present moment. Gardening helped. The regular practice of art – nightly, daily – even when your tired – helps. A lot of artists are tempted to throw everything into a project, setting aside months and years for something shiny at the end of the process. But it gets harder and harder to recover from that year after year after year. I think it enriches the work to enjoy your life while you make your work. Or maybe I just don’t like to suffer very much anymore.
I trained and worked primarily as a painter for many years. However, I’m much less wed to form than I have ever been before. These pieces in Rawhead include digital photography with an iphone – something I wouldn’t have even considered a few years ago. More and more I land on the message I want to deliver and then the medium follows. This has led to experimentation with resin, photography, collage and public art. Changing mediums so often is a bit of a hire wire act – always feeling like you’re learning as you go, rather than being able to rely on my skill with my craft. I have to say it’s a lot more fun.
The engine of the work is in the blank spaces – where you can see the outline of the petals that were lifted and removed from the paint. Flower painting is a particularly storied genre. Still I felt that these images created something new – an almost human tissue like feeling in some of the impressions, wet and heavy like a functioning organ.

Rachel Coyne is a writer and painter from Lindstrom, Mn. She is a collector of vintage editions of Jane Erye, a devotee of Pablo Neruda and a lover of Don Williams songs.
